I Felt So Powerful, Yet Sexy, Wearing His Clothes: Jerry Hall Remembers Her Long‑Time Friend Antony Price

From a daring shoot in Jamaica to a runway show in London, my friendship with Antony Price has spanned decades of creativity, laughter, and sartorial triumphs. Below you’ll find the highlights of our collaborative journey, the stories behind the garments, and the personal moments that made every piece feel truly special.

The Beginnings: From Jamaica to Anglesey

The Blue Swimming Cap Cover (May 1975)

After a successful shoot for British Vogue in Jamaica, I met Antony Price at a small studio in the Blue Swimming Cap area. Antony had seen the photos and immediately envisioned a new look for Roxy Music’s Siren album. He proposed a concept that would bring the vibrant energy of the Caribbean to the rugged coastline of Anglesey, Wales.

Antony’s Creative Vision and My Wardrobe

• Painted me blue, using a custom blend of pigment that captured the sea’s depth.
• Designed a tiny rubber swimsuit and a headdress that evoked the myth of a modern mermaid.
• Captured the moment on the rocks, giving the cover a dramatic, almost cinematic quality.

Antony’s talent for turning simple materials—tin foil and paint—into high‑fashion statements was instantly evident. We laughed, we experimented, and we produced a cover that still resonates today.

Antony’s Design Legacy in My Wardrobe

From Mermaids to Jessica Rabbit

One of my favorite moments was wearing the red lamé dress I wore at the Oxford Union in the ’90s. The dress, designed by Antony, was a stunning combination of sleek lines and subtle embellishment. My husband, Mick Jagger, was there to watch, and the audience was left in awe.

The Navy Dress for Batman and More

Antony also created a navy dress with ruched sleeves that I wore in the iconic film Batman. The dress was a turning point in my fashion career, showcasing his versatility and ability to blend classic and contemporary styles.

Highlights of the 1975 Shoot

Below is a list of key moments from the shoot that helped shape my perception of Antony as a designer and friend:

• Location: Anglesey, Wales
• Photographer: Norman Parkinson
• Wardrobe: Blue swimming cap cover, tiny rubber swimsuit, headdress
• Outcome: Roxy Music’s Siren album cover, iconic photo credit at Alamy

Antony’s Creative Vision Continues

Catwalks and Showcases

In 1980, I walked in all his fashion shows. One memorable moment was when Marie Helvin and I rode motorcycles to the runway, pulled off our helmets, and walked down the catwalk in tight leather dresses. Antony’s shows were always a spectacle; he entertained everyone with his energy and style.

Wearing the Look from the 1980 Show

Below is a photo from the 1980 London show, captured by Mirrorpix:

Another Look from the Same Show

Personal Touches: From Weddings to Auctions

In 1981, Antony designed stage costumes for the Rolling Stones tour in America, including a big American and British flag cape. When Mick and I got married in Bali, I requested a western bridal look from Antony—a cream lace dress that was simple yet beautiful. I later wore it as a bridesmaid at Anjelica Huston’s wedding and sold it at auction to raise money for the homeless charity Emmaus.

Photo: Jerry pictured with Antony in 1985

Antony’s Impact on My Family

My daughters Lizzy and Georgia May have inherited their mother’s love for Antony’s designs. They still wear his pieces today, and I kept a selection of his garments for personal use. Here’s a brief look at what’s on their wardrobe:

• High‑waisted classic trousers (Antony’s signature cut)
• Black lamé dress worn at The Fashion Awards (recently worn by Georgia)
• Evening dress used during pregnancies and later worn by my daughters during their pregnancies

Antony’s Fashion Philosophy

Antony was a true English designer with a deep love of glamour. He worked with the likes of Duran Duran, David Bowie, Grace Jones—so many people in the rock and film worlds. He was very funny, but mostly people were drawn to him for his talent. He really put his work above everything else, and he was there at home sewing, making all his clothes perfectly, and obsessing over everything.

Conclusion: A Long‑Term Friendship in Fashion

My relationship with Antony Price has grown from a chance meeting in Jamaica to a lifelong partnership in fashion. From the blue swimming cap cover to the red lamé dress, from the navy dress for Batman to the cream lace bridal look, each piece has a story. I felt so powerful, yet sexy, wearing his clothes, and I look forward to many more collaborations in the years to come.

Further Reading & Photo Credits

• Alamy photo: Jerry Hall on the cover of Roxy Music’s Siren album (1975)
• Mirrorpix: Jerry taking to the catwalk for Antony Price’s show in London (1980)
• Shutterstock: Jerry pictured with Antony in 1985 (Alan Davidson)